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Other events can let the photographer collect a menagerie of collage worthy images. Fairs, sporting events, parades, protests are only a small array of events that photographers can use to build up their portfolios. The more public the event, the greater an opportunity a photographer has to disappear into the crowd and capture the uninfluenced persona of those participating or spectating. Some events become a combination or portraiture, event and still-life photography. Weddings are a prime example, where the photographer will be called in to capture the events of the day, as well as take portraits and shots of inanimate objects such as cakes and decoration. Weddings are perhaps the most difficult events a photographer can tackle. When capturing action at events, it is helpful to have a wide to telephoto zoom lense. You usually don't have time to switch lenses, and the only other option is to carry two cameras, which can become burdensome after an hour. Make sure that your camera has a quick focus. Photo-worthy moments come and go without notice, and it's best to be prepared. For sporting events, it's smart to have a monopod. If you're using a film camera, bring plenty of spare film and batteries; if you're using a digital camera, make sure to have several sets of fully charged rechargeable batteries. Copyright © 2002 by Shawn Olson. All rights reserved. To get permission to use text or any of these images, send an email to shawn@shawnolson.net. To return to the home page, go to www.shawnolson.net |
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The difficulty in event photography ranges from the most simplistic to some of the most nerve-wracking difficult. At the simple end you have your standard archival shots where you go out and record a ribbon cutting or contract signing. These events are straightforward and usually afford little opportunity for art and experiment.